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YORKVILLE M810 Bedienungshandbuch Seite 3

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1
Introduction
Thank you for purchasing a Yorkville powered mixer. We at Yorkville Sound are confident that
you’ll find the M810/M1610 to be an excellent and versatile mixer/amp. We’ve used our expe-
rience in the development of powered mixers to create the smallest, lightest, and most power-
ful combination mixer/amplifiers available. This manual contains information to help you get
the maximum performance from your M810/M1610. We hope you’ll take the time to read it.
Stereo Power Amplifier
The M810/M1610 features high-efficiency stereo power amplifiers which have been designed
to deliver maximum power into a 4-ohm load. When lower speaker impedances are connect-
ed, a dedicated, sonically transparent circuit limits the output power to safe levels. Multiple
speakers may be connected without the amplifier overheating or shutting down.
Input Channels
1. MIC & LINE Inputs
The M810/M1610 features gold-plated dual-
contact XLR low-impedance microphone con-
nectors on the channels. These microphone
inputs are balanced for maximum noise sup-
pression. Condenser microphones can also be
connected. The 48 Volt DC phantom power is
activated by depressing the Phantom Power
push-button on the rear panel.
Note: Condenser and dynamic mics
can be used together while the phantom
power is on. It will not affect the perfor-
mance of the dynamic mics.
In addition to the XLR inputs, each channel features ¼-inch LINE in jacks. Channels
1-4, 7/8 and 9/10 are balanced line-level inputs and will accept either balanced (Tip/Ring/
Sleeve) or unbalanced (Tip/Sleeve) input cables from high impedance microphones, mixer
line outputs, keyboards, synthesizers, electric pianos etc.
Note: When connecting a balanced signal, use balanced patch cables with either an
XLR or a Tip/Ring/Sleeve ¼-inch plug on the mixer end.
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Set
LEVEL
LEVEL
LEVEL
LEVEL
LEVEL
LEVEL
Trim
Set
Trim
Set
Trim
Set
Trim
Set
Trim
Set
Trim
dB dB dB dB dB dB
MON
EFX
Return
MAIN
EFX
Return
Main/Mon
Left /Right
H
A
L
L
S
G
A
T
E
S
C
H
A
M
B
E
R
S
D
E
L
A
Y
S
R
O
O
M
S
E
F
X
M O D I F Y E F X
E Q U A L I Z E R A
E Q U A L I Z E R
B
A Rooms
B Rooms+Thickening Delay
s
C Rooms+Regen Delay
s
D Rooms/Halls+Chorus
E Halls
F Halls+Thickening Delay
s
G Halls+Regen Delay
s
H Gates/Reve
rse Reverb
I Chamber
s
J Chambers+Thickening Delay
s
K Chambers+Regen Delay
s
L Short Delay
s
M Medium Delays
N Long Delay
s
O Delays+Chorus
P Special Effects
MAIN
MON
Mute 1-8
-15 +15
dB
-15 +15
dB
-15 +15
dB
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0
10
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dB
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dB
-15 +15
dB
0
5
2 8
7
6
4
3
91
100
5
2 8
7
6
4
3
91
10
0
5
2 8
7
6
4
3
91
10 0
5
2 8
7
6
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10
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dB
-15 +15
dB
-15 +15
dB
0
5
2 8
7
6
4
3
91
10
-15 +15
dB
-15 +15
dB
-15 +15
dB
0
5
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7
6
4
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10
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dB
-15 +15
dB
-15 +15
dB
0
5
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7
6
4
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91
10
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dB
-15 +15
dB
-15 +15
dB
0
5
2 8
7
6
4
3
91
10
0
5
2 8
7
6
4
3
91
10 0
5
2 8
7
6
4
3
91
10
-15 +15
dB
-15 +15
dB
-15 +15
dB
-15 +15
dB
-15 +15
dB
-15 +15
dB
0
5
2 8
7
6
4
3
91
10
0
5
2 8
7
6
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5
2 8
7
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5
160 250 400 630 1.0K 1.6K 2.5K 4.0K 6.3K 160 250 400 630 1.0K 1.6K 2.5K 4.0K 6.3K
P
A O
B N
C M
D L
E K
F J
G I
H
16
1 1
5
2 1
4
3 1
3
4 1
2
5 1
1
6 1
0
7 9
8
-15 +15 -15 +15 -15 +15 -15
+1
5
clip clip clip clip clip clip
clip clip
clip
A B
Pan
Mon
EFX
Lo
Mid
Hi
Pa
n
Mon
EFX
Lo
Mid
Hi
Pa
n
Mon
EFX
Lo
Mid
Hi
Pa
n
Mon
EFX
Lo
Mid
Hi
Pa
n
9/10
7/8
7/8
9/10
1 2 3 4 5 6
Mon
EFX
Lo
Mid
Hi
Pa
n
Mon
EFX
Lo
Mid
Hi
Bal
Mon
EFX
Lo
Mid
Hi
Bal
Mon
Rec
Out
Amp
Assign
Cl ip/
Pr o te ct
48V Ph a nt o m
Po we r On
Power
Tape/CD
EFX
Lo
Lo Hi Lo Hi
Mid
Hi
LEVEL
LEVEL
S T E R E O S T E R E O
A
A
B
B
1 2 3 4 5 6
7/8 9/10
Mic
Pre-EQ
OUT
Post-EQ
OUT
Rec OUT
I n s tr u m e nt I n s t r u m e n t
Tape/CD In
Footswitch
Power AMP IN
MON
Out
EFX
Out
Line
Mic
Line
Mic
Line
Mic
Line
Mic Mic Mic Mic
Hi/Z Hi/Z
Line Line
2 x 8 0 0 W a t t P o w e r e d M i x e r
T u r n U p T r i m C o n t r o l U n t i l G r e e n L E D S t a r t s t o B l i n k
1/4-inch Phone Plug
1/4-inch T.R.S. Phone Plug
XLR Plug
4 6
7/8
I n s t r u m e n t
Mic
Line
Mic Mic
Hi/Z
Line
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